Music Theoryafter A. Danhauser

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Contents

1Musical Sound

1The Staff
2Notes and Their Shapes
3Relative Note Values
4Placing Notes on the Staff
5The Names of the Notes
6Clefs
7How the Clefs Relate
8Voices
9Clefs for Voices and Instruments
10Rests
11Relative Value of Rests
12Accidentals
13The Dot and the Double Dot
14Triplets and Irregular Groups
15The Tie

1The Diatonic Scale: Whole Steps and Half Steps
2Diatonic and Chromatic Half Steps
3Enharmonic Equivalents
4Intervals
5Simple and Compound Intervals
6Interval Qualities
7How Intervals Are Built
8Inverting Intervals
9Consonant and Dissonant Intervals

1Tonality and the Origin of the Major Scale
2The Names of the Scale Degrees
3The Tetrachord
4Linking Scales: The Order of Sharps
5Key Signatures with Sharps
6Linking Scales: The Order of Flats
7Key Signatures with Flats
8The modes: major and minor
9How the minor scale is generated
10Relative keys
11Finding the key of a piece
12Closely related keys
13The chromatic scale
14Enharmonic keys
15Modulation
16Transposition

1Bar Lines
2Beats
3Time Signatures
4Simple Meters
5Compound Meters
6Simple and Compound Meters Compared
7Meters of Five Beats and More
8Rhythm, Syncopation, Offbeat Notes
9Tempo and the Metronome
10Changing and Suspending the Tempo
11Conducting Patterns
12Notation Particulars

1Phrasing
2Accentuation and Articulation
3Dynamics
4Character

1Ornaments (1): Appoggiaturas
2Ornaments (2): Turn, Trill, Mordent
3Abbreviations and Repeat Signs

1Chords: Structure and Inversions
2Triads
3Seventh Chords

1Orchestral Instrument Ranges
2Transposing Instruments

1Other Scales and the Modes
2Music Notation Around the World

Name the Interval

Generated drill, three levels

Number

Quality

Used in: How Intervals Are Built, Inverting Intervals

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